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Zeid, Wagdi.
Subjects
Shakespeare, William, 1564-1616. King Lear.
Shakespeare, William, 1564-1616. Hamlet.
Bond, Edward. Lear.
Stoppard, Tom, 1937- Rosencrantz and Guildenstern are dead.
English drama -- History and criticism.
Electronic books.
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by author:
Zeid, Wagdi.
by title:
Misreading shakespea...
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Misreading shakespeare : modern playwrights and the quest for originality [electronic resource].
by
Zeid, Wagdi.
Subjects
Shakespeare, William, 1564-1616. King Lear.
Shakespeare, William, 1564-1616. Hamlet.
Bond, Edward. Lear.
Stoppard
,
Tom
,
1937-
Rosencrantz
and
Guildenstern
are
dead
.
English drama -- History and criticism.
Electronic books.
Publisher Info:
[United States] : iUniverse, 2012.
Made available through hoopla
Description:
1 online resource
RDA Types:
text
computer
online resource
Digital File Characteristics:
text file
ISBN:
9781475952063 (electronic bk.)
1475952066 (electronic bk.)
Format Book:
Summary:
A dynamic new study in literary and dramatic influence, Misreading Shakespeare defines and explores the relation between two modern plays Edward Bonds Lear and
Tom
Stoppards
Rosencrantz
and
Guildenstern
Are
Dead
and Shakespeare's King Lear and Hamlet. While some see the modern plays as derivative, others claim that they are as original as the Shakespearean plays. The effort to define and explore this relationship is a challenge for critics and readers alike. Here, Wagdi Zeid, a playwright and professor of Shakespeare and drama, puts forth theoretical perspective derived from W. Jackson Bate and Harold Blooms theories of influence. Zeids study manages to defy ne and explore not only this intriguing and ambiguous relationship but the concept of originality itself. Furthermore, while theorists like Bate and Bloom are wholly concerned with just general statements and concepts, Misreading Shakespeare goes inside the dramatic texts themselves, and this practical aspect makes a big difference. Also, neither Bate nor Bloom has tried to apply his theory to dramatic texts. Misreading Shakespeare offers readers both theory and practice. Misreading Shakespeare was written for an eclectic audience, including scholars of drama, theatre, Shakespeare, and literary theory and criticism; playwrights and other writers striving for originality; and theatrical artists and audiences alike.
URL:
https://www.hoopladigital.com/title/12079121
Instantly available on hoopla.
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https://d2snwnmzyr8jue.cloudfront.net/csp_9781475952063_180.jpeg
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